今季Proenza Schouler就像春回大地的感覺。比起早幾季，今季用色特別鮮豔，雖然同樣有不少標誌性的羅條紋設計緊身裙，但開胸、打結的設計則令人眼前一亮！
不過當中我最喜歡的是幾件鮮紅色的外套和Fur。今季他不少外套是以紅色為主的，但卻不會過份鮮豔，主要因為印花的顏色組合平衡了鮮紅色的強烈。例如紅拼黑的西裝外套和紅拼黃的Fur。
攝影 Photo From / Monica Feudi / indigitl.tv
毒品/ PROENZA SCHOULER SS17 WOMEN’S WEAR
March 1, 2017 By Leave a Comment
LATE SUN IN SOUTH BAY. WOMEN’S FW2016 FASHION SHOWCASE
December 8, 2016 By Leave a Comment
連身裙/Dress – Proenza Schouler, 耳環和鞋/Earrings and Shoes – Mulberry
帽、耳環和外套/Hat, Earrings and Trenchcoat – Emporio Armani, 高領上衣/Turtleneck – Proenza Schouler
時裝片/FASHION FILM : PS I LOVE YOU (ITHIGI LITHIGOVE YITHIGOU), PROENZA SCHOULER PRE-FALL 2016
August 17, 2016 By Leave a Comment
Really like taking blowtorches to flowers. A short film by Proenza Schouler highlighting the vast spectrum of women. Pre-Fall 2016
毒品/PRE FALL 2015 O-R
November 3, 2015 By Leave a Comment
在此季节更迭之际,那些雄心勃勃的设计师又再次浩浩荡荡扬尘杀来,当然,势必都会打着更庞大,更高端系列的旗号,所以公平起见我们只能按照字母顺序来排序,并将谁谁为我们设计的哪些款式在此为您一一揭晓。2015年预秋已正式启动,潮流趋势也愈见明朗。当然了,大部分的潮流资讯都是来自纽约,米兰,巴黎三大时装周以及伦敦街头一瞥。如果你有其它想让我们点评的品牌,请将您的建议发送至:contact@spitgan.com,我们会尽量对每一位的来件作出反馈!
So our ambitious asses is back! Bigger and better as they say with each coming season. So we gonna go through the alphabet again, running through the who’s who of fashion and shouting out those that be doing it for us for the tweener seasons. Pre Fall 2015 is up and its in its teenage stages, growing into its own season. Strap up. Of course most of this is sourced from the main 3 fashion weeks of NYC, Milan, Paris with a sprinkle of London. If you have brands for us to comment on from anywhere else and we know we missing a lot of you, send us your info to contact@spitgan.com!
Ohne Titel Pre Fall 2015
Opening Ceremony Pre Fall 2015
Osman Pre Fall 2015
Peter Jensen Pre Fall 2015
毒品/PROENZA SCHOULER FW2015 AD CAMPAIGN
September 16, 2015 By Leave a Comment
Fast becoming one of our favorite ad campaign series of recent seasons. The David Sims, Proenza Schouler collaboration continues! A new concept, and move away from the digi goodness of previous stunners. This FW15, sees David continue the rawness with the lighting style, but delve more into narrative with the model interaction. Some genuine hate at play here in the subplot?
