機械風流/ROBO-CASANOVA : HAJIME SORAYAMA INTERVIEW


All paintings : Hajime Sorayama (Used with permission)
Portrait of Sorayama : copyright by Hajime Sorayama courtesy of NANZUKA

Hajime Sorayama was having a solo exhibition at Jacob Lewis Gallery N.Y. at the time of this interview. For those who have seen his work it’s truly memorable, and for those that haven’t your missing out on a real one. This renowned illustrator/artist started his career in the 70’s, and his unique style has never been touched since. His sexy robots titillate to this day, looking as modern, or forward as ever. Sorayama is no spring chicken now, but he has an uncanny knack of knowing what is up with the youts today. Case in point his recent collaboration with Korea’s hottest menswear designer du jour, Juun J. Look even deeper to his earlier collaborations with street wear brands such as Stüssy, Marc Ecko, NIKE, British Knights, and skate-wear brand Dark Star. These heavy-hitters wanted to get down with Sorayama so you know what’s up!

<< English continues after Chinese >>

位於紐約的Jacob Lewis Gallery 近日正舉行日藉著名插畫師/ 藝術家空山基( Hajime Sorayama ) 的個人展覽。這位從上世紀七十年代已漸露頭角,今天已成為大師的藝術家,以繪畫造型性感的機械女郎而為人所熟悉。那些外表冰冷又性感的機械女郎,最早誕生自七十年代,卻沒有予人過時的感覺。空山基雖然不年輕卻緊貼潮流,並與時代同步。除了活躍藝術界,他更踏足時裝界,像今個秋冬他與炙手可熱的韓國男裝品牌Juun J. 合作,亦曾與街牌Stussy 、Marc Ecko 合作設計T 恤,為NIKE 、British Knights 、滑板品牌Dark Star 等這些街牌設計球鞋。他的作品橫跨不同時代,透過這些機械人畫作他向人們展現了自己眼中的未來世界。

對某些人來說,空山基這個名字可能有點陌生,但大多會見過這些擁有光滑無暇的「皮膚」的機械女郎。這些具有完美身段、經常穿著性感裙裝並擺出高難度誘人甫士的機械女郎,沒有因為看不見容顏而令吸引力減少,密不透風的外殼反而為她們增添更多神秘感與瑕想。

像一般的男性,空山基對女性胴體發生興趣是在中學時期,那時他喜歡以《Playboy 》雜誌為靈感,繪畫在六十年代十分盛行的Pinup 性感風格畫作。直至1978 年,空山基受到當時他的朋友的邀請,為一個啤酒品牌繪畫機械女郎,自此他便停不下來,一直以機械女郎為作畫對象。而在八十年代,他為著名色情雜誌《Penthouse 》創作的連載作品,獨特的畫風在當年成為一時佳話。

除了他筆下的機械女郎及未來世界,在空山基的創作生涯中,曾參與過一些與科技等有關的工作。例如在八十年代,他參與了科幻cult 片《Braindead 》、《Time Cop 》的創作,其後他又為Sony 設計了機械狗AIBO ,AIBO 不但在2000 年獲得日本最高榮譽的設計獎項,更成為MOMA 的永久藏品。

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毒品/STÜSSY SS2016 AD CAMPAIGN

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MITTLEMAN_1000PX

採訪:SPITZ
撰文:ESSY CHIU

Paul Mittleman是Adidas Original的全球設計總監,在還未加盟Adidas之前,他在Stussy工作了二十個年頭。來自紐約的他,見證了從1980年代開始運動品牌影響街頭文化,及到今日又怎樣影響著高級時裝的歲月,他可說是collaboration(品牌與品牌之間的計劃)的先鋒,在街牌界中有著一定的影響力。早前他去到上海出席當地的一個大型街頭品牌活動, 我們籍著這個機會與他做了一個訪問。

Street Cred? All hail. Paul Mittleman hasn’t just been holding down the spot for streetwear; he might have damn near pioneered the genre. Paul goes back to the early days of Stussy. One of the first recruits to the legendary brand that birthed so many others. The native New Yorker has moved on up, and sideways, and now sits with the illustrious title of, ‘Global Design Director’, for the behemoth that is Adidas. Adidas Originals to be exact. So you know they’ve tapped him for his savvy in the game. We had a chance to sit down with the self-proclaimed, ‘inventor of the collaboration’, himself, and go through a bit of streetwear anthology with a fella that was involved with it from the giddy-up.

( English continued after CN )

SPITGAN – 可否說說你的背景。
PAUL MITTLEMAN – 在Adidas Original之前,我曾是Stussy的創意總監, 在那裡工作已有二十年,我可以說是首幾位發明了Collaboration的人。我之前沒有想過會成為Adidas的全球設計總監,所有事情都是很自然發生的,對我來說每天的工作都是一種挑戰。

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