驚喜昀霖 /THE DARING ASIAN WOMEN HE DESIGNS FOR, KEVIN HO, HONG KONG FASHION DESIGNER

Know more about Hong Kong fashion designer Kevin Ho here : http://kevinho.com.hk/
Photos : Nick D for @precursorprints
Translate : Lorien Chan

It was early and it was frantic. The watery cup of McDick’s caffeine was not working. Probably needed 3 of them. My camera felt like lifting a fat baby. Ugh. Working my way around backstage snapping away, faces began to blur and designs stand out. Some knitwear pieces really drew my attention. The above one piece, for it’s modern cut; I thought flattered the girl’s figure. Diggin’ the bold color blockin’ too. Editing the photos by collection, the pieces belonged Kevin Ho. I did not know this Hong Kong designer, but now I do! We think highly of his work, get familiar now.

Kevin這天的時裝秀真的太早了,幾多杯咖啡都不能將我從熟睡中醒過來。在後台舉起相機時就好像在舉著一個肥寶寶,總之就是累得無法集中。還是睡眼惺忪的我看到了一些針織作品彼為有趣,馬上舉起相機拍了幾張,模特兒好像也被我嚇到了。在之後翻看相片的時候我再次注意到這件針織了,原來是來自香港設計師Kevin Ho的設計。現在一起來認識他多點吧!

<< CHINESE CONTINUES AFTER ENGLISH >>

SPITGAN : Hi Kevin. Can you pls introduce yourself.
Kevin Ho : My name is Kevin Ho, I am a Hong Kong based fashion designer. I graduated from London College of Fashion in 2012, where I majored in womenswear. After graduation, I returned to Hong Kong to pursue my career.

In 2015, I participated in the Hong Kong Young Designer Contest (YDC), a local design competition, where I was honored to receive the best Party&Eveningwear Category award. During the same year, I launched my namesake label Kevin Ho. In 2016, I was nominated by Hong Kong Trade Department Council to participate in the Asia Fashion Collection, an event organized by Vantan and Parco Japan. I was sponsored to debut in Tokyo Fashion Week, New York Fashion Week and Taipei Fashion Week. In 2017, I was awarded Designer of The Year in  the Womenswear category by Hong Kong Fashion Council.

Colour and atypical craftsmanship are the signature of the brand. Often times, you will find bold colours, structural silhouettes and handcraft details in my design.

I would describe my brand as feminine, sophisticated, yet edgy and strong. I love to show the feminine side of women but at the same time give it a touch of masculinity. It’s delicate but not fragile.

My designs always combine structural silhouettes and distinctive textiles to deliver a cutting aesthetic, which is also what differentiates my brand from others.

SP : We were very interested in your collection, seeing it for the first time, this year at Fashionally/Centerstage, especially the knitwear pieces. Where do your design inspirations/references come from?
KH : I have always loved looking at art pieces. I believe art and fashion are connected. I am particularly fond of exploring different shapes and color, and I try to integrate these elements into my design.

This season is named “Vividness”, which is inspired by abstract painting, particularly from artists Lyubov Popova and Albert Gleizes. Focusing on the mix of colors and patterns, I wanted to do something that has the sense of abstract painting, organic and natural. I think it is hard to create that kind of touch by only doing colour blocking, so I expressed it through print design.

See more designs and read the full interview with Kevin Ho in the link below :

Read More

瘋世界中的瘋人物 10位THEi 時裝設計師的狂想設計 NEW DESIGNERS FROM HK SHOW THE FUTURE IS BRIGHT! THEi GRADUATION SHOW. PT2

Photos : Nick D for Precursor Prints
Translate : Lorien Chan

And we thought the fashion designs were impressive! Well we went a step further and asked the creative talents of the THEi 2019 Graduation Show to share with us what inspired their collections. In these interviews you will discover their fantasy escapisms, expressions of new beauty, and even dark, dark real life environments. An engrossing read, that confirms the youth have high concepts in their heads for social change, and a very grounded practicality.  As brief as the interviews are they also share secrets of techniques used in creating the garments you see, and  their future plans with us! Here is part 2 of 3.

既然我們覺得這些設計都令人印象深刻!那麼我們更進一步,找來10個今年畢業展中突出的設計師分享他們的故事。在這些答案中,你將發現他們逃避現實的幻想、對美麗的新定義什至最黑暗而真實的生活。這篇訪問將讓你看到年輕人在社會變革方面有很多高水準的概念。不長不短的訪談中,他們將分享你所看到的造型和未來的計劃。

Pls have a read of our introduction and show review here in Part 1.



Guan Yong Yi, Key // ‘Escaping’ Collection

SP : The design piece in the picture . Can you pls describe it. Your inspiration for this piece and the materials used. // 你可以說一下這相中作品嗎?你的主題、靈感和用上的物料等。
Key : My theme is ‘Escaping’, which means escaping from the reality and dream, trying to break the rules. I used  blue and orange as my main colors. Blue and orange represent the cruel world, and the passion of our dreams respectively. The black color is the dust of world. 90% of the outfits are made by wool and polyester yarns. The knitting makes use of the technique, stroll and trill relief.

我的主題是’逃避’,這意味著逃避現實和夢想,試圖打破規則。然後我用藍色和橙色作為主色。藍色和橙色分別代表殘酷的世界和我們夢想的熱情。黑色作為世界的塵埃。整個裝備的90%由羊毛和滌綸紗線製成。漫步和顫音浮雕使用的針織。

SP : Your favorite Fashion Designer. // 最喜歡的設計師是?
Key : My favorite fashion designer is Thom Browne. His design style has its own strong personality. I really appreciate his designs, which are very inspiring and a signature all his own.

我最喜歡的時裝設計師是Thom Browne,他的設計風格有他自己強烈的個性。我非常欣賞他的設計系列,這是非常鼓舞人心和標誌性的。

SP : What’s next for you?
Key : Being a fashion designer is the next step of my journey. After joining the Lenzing workshop, and Australia Merino wool trip, I am interested in knitwear now. I would like to expand my job’s scope, to include menswear and knitwear.

成為時裝設計師是我旅程的下一步。在加入Lenzing工作室和澳大利亞美利奴羊毛之旅後,我現在對針織品很感興趣。所以我想擴大我的工作品種,包括男裝和針織品。

Check out this fashion editorial shot in Shanghai featuring new Chinese fashion designers such as Pronounce, Ffixxed Studios, STR3AK Clothing and Garcon : 

風起了/ONE TYPHOON WON’T STOP THE PARTY. SHANGHAI LABEL, FASHION SHOWCASE



2. Law Wing Suen, Kimmy // ‘The War At Home’ Collection

SP : The design piece in the picture . Can you pls describe it. Your inspiration for this piece and the materials used. // 你可以說一下這相中作品嗎?你的主題、靈感和用上的物料等。
Kimmy : This design is an attempt to give life to one of the darkest aspects of our society by portraying the cold, violent, and unachievable expectations of abusive homes.

The main material is organza and silk. It shows a slow and cold impression, like living under cold violence.

Slow materials combined with the borderless water-soluble sewing pattern. This reflects children living under pressure.

這種設計嘗試通過描繪對虐待性家園的冷漠,暴力和無法實現的期望,為社會最黑暗的方面之一賦予生命。

主要材料是透明硬紗和絲綢。它表現出一種緩慢而冷酷的印象,就像生活在寒冷的暴力之下一樣。

緩慢的材料與無序的水溶性縫紉圖案相結合。 它反映了生活在壓力下的兒童。

SP : Your favorite Fashion Designer. // 最喜歡的設計師是?
Kimmy : Craig Green is my favorite fashion designer. His design is simple, but each garment and collection has a strong personal signature. Also, his collections use a creative display style and expressions in different media.

Craig Green是我最喜歡的時裝設計師。 他的設計很簡單,但每件服裝和系列都有自己的特色。此外,他的系列採用創意展示風格在不同媒體中展示。

SP : What’s next for you? // 接下來有什麼計劃?
Kimmy : My future plan for the moment is to continue my learning career.

我現在的未來計劃是繼續我的學習生涯。

Read More

JUNN.J FW17 MEN’S WEAR

同樣都是oversize大大件,Street Wear inspiration 的品牌,Junn.j的現譯比起其他,你現在腦中浮現的street fashion品牌有著與別不同的現譯手法。在他這邊,可以放大、不規則地剪裁衣,卻不是那種「Ugly Beauty」。他不會加入鬥醜鬥出位的塵世。不過雖然Junn.j是街頭文化啟發的設計,但我不太認同他是Street wear。我想Street Wear的一重點是舒適,即使Vetements的單品也不難搭配穿著。Junn.J嘛,起碼那連身皮褲、拉鍊褲和超大直身外套,你也不會在一般場合穿著吧!而且也不是容易駕馭的!那件白色長針織衣服,要是給我穿肯定像瘋人塔的瘋子一樣,哈哈!

1_JUNNJ_FW17_MENS

2_JUNNJ_FW17_MENS
Read More

KENZO FW17 MEN’S WEAR

歡迎來到由Kenzo建造的極地奇觀。首先出場的是不同組合的北極光,包括印花、針織的表達方式,配以不同色彩的極光。然後是下雪的日子,那些雪花,經過光線折射可能變成了粉紅色的、黃色的。總之看起來就是通透的。記得來到極地要穿著雪靴,那怕只是一件裝飾品,加上一對手套。至少你能融入那個環境說服自己身處極地。還有一副太陽眼鏡,光線在雪上的折射絕對不可少看。最後好奇一問,那髮型是結冰了?

1_KENZO_FW17_MENS
Read More

KNITWEAR SYMPHONY 2017 PART 1

對我來說,這個Knitwear Show可能是香港貿發局主辦的Centrestage中一顆秘密的寶石吧。由HKKIDS(毛織創新及設計協會)主辦的Knitwear Symphony 最近幾屆都在香港發掘了不少有趣的人才。今季他們繼續在這個強壯蓬勃的基礎上再進一步。但似乎今次是個較小型的表演?或者可能是因為後台比以前少了近一半吧!當我們繼續深入這個屬於本地設計的秘境,幾個系列倒是有些面熟,但依然存在不少驚喜。—第二部分繼續。

To me the secret gem of HKTDC CENTERSTAGE or it’s incarnation before, is the Knitwear show. Hosted by HKKIDS (Hong Kong Knitwear Innovation and Design Society), the last few editions have produced the most interesting talent in the Fragrant Harbour. This season also continued to build on this burgeoning tradition with another strong showing. It seemed to be a smaller show? Or perhaps the backstage was half it’s previous size giving off this impression? As we have reached deeper into the local design scene, a few collections we had seen before resurface here but there were still many surprises left! PT 2 to follow…

Photos : Nick D for precursorprints.com
CENTERSTAGE17A_FIN1_1839

CENTERSTAGE17A_FIN2_1810

Read More