瘋世界中的瘋人物 10位THEi 時裝設計師的狂想設計 NEW DESIGNERS FROM HK SHOW THE FUTURE IS BRIGHT! THEi GRADUATION SHOW. PT3

Photos : Nick D for Precursor Prints
Translate : Lorien Chan

Continuing with the designer interviews, it is very impressive to hear that they also have a social conscious! From one of our favorite collections, Ms. Jasmine Leung, fashion designer, states, “During these 4 years of study in BA fashion, I realized how damaging fashion and garment-making is to the world. We, as the new generation of fashion creators, need to take action to make a change. Designing a sustainable fashion collection and eventually establishing a sustainable fashion brand are my goals.” 

Read Part 3, of inspirations, fashion designer favorites, and future plans! A heady mix of, ‘the simple life’, Zero Waste, love bonds, and America sports references.

繼續進行設計師訪談,設計師對社會問題的意識令人意想不到! 其中一個我們最喜歡的系列設計師Jasmine Leung說:「在BA時尚的這四年研究中,我意識到時裝和製衣業對環境多麼有害。我們作為新一代時裝創造者需要採取行動作出改變。設計可持續發展的時裝系列並最終建立可持續發展的時尚品牌是我的目標。」
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瘋世界中的瘋人物 10位THEi 時裝設計師的狂想設計 NEW DESIGNERS FROM HK SHOW THE FUTURE IS BRIGHT! THEi GRADUATION SHOW. PT2

Photos : Nick D for Precursor Prints
Translate : Lorien Chan

And we thought the fashion designs were impressive! Well we went a step further and asked the creative talents of the THEi 2019 Graduation Show to share with us what inspired their collections. In these interviews you will discover their fantasy escapisms, expressions of new beauty, and even dark, dark real life environments. An engrossing read, that confirms the youth have high concepts in their heads for social change, and a very grounded practicality.  As brief as the interviews are they also share secrets of techniques used in creating the garments you see, and  their future plans with us! Here is part 2 of 3.

既然我們覺得這些設計都令人印象深刻!那麼我們更進一步,找來10個今年畢業展中突出的設計師分享他們的故事。在這些答案中,你將發現他們逃避現實的幻想、對美麗的新定義什至最黑暗而真實的生活。這篇訪問將讓你看到年輕人在社會變革方面有很多高水準的概念。不長不短的訪談中,他們將分享你所看到的造型和未來的計劃。

Pls have a read of our introduction and show review here in Part 1.



Guan Yong Yi, Key // ‘Escaping’ Collection

SP : The design piece in the picture . Can you pls describe it. Your inspiration for this piece and the materials used. // 你可以說一下這相中作品嗎?你的主題、靈感和用上的物料等。
Key : My theme is ‘Escaping’, which means escaping from the reality and dream, trying to break the rules. I used  blue and orange as my main colors. Blue and orange represent the cruel world, and the passion of our dreams respectively. The black color is the dust of world. 90% of the outfits are made by wool and polyester yarns. The knitting makes use of the technique, stroll and trill relief.

我的主題是’逃避’,這意味著逃避現實和夢想,試圖打破規則。然後我用藍色和橙色作為主色。藍色和橙色分別代表殘酷的世界和我們夢想的熱情。黑色作為世界的塵埃。整個裝備的90%由羊毛和滌綸紗線製成。漫步和顫音浮雕使用的針織。

SP : Your favorite Fashion Designer. // 最喜歡的設計師是?
Key : My favorite fashion designer is Thom Browne. His design style has its own strong personality. I really appreciate his designs, which are very inspiring and a signature all his own.

我最喜歡的時裝設計師是Thom Browne,他的設計風格有他自己強烈的個性。我非常欣賞他的設計系列,這是非常鼓舞人心和標誌性的。

SP : What’s next for you?
Key : Being a fashion designer is the next step of my journey. After joining the Lenzing workshop, and Australia Merino wool trip, I am interested in knitwear now. I would like to expand my job’s scope, to include menswear and knitwear.

成為時裝設計師是我旅程的下一步。在加入Lenzing工作室和澳大利亞美利奴羊毛之旅後,我現在對針織品很感興趣。所以我想擴大我的工作品種,包括男裝和針織品。

Check out this fashion editorial shot in Shanghai featuring new Chinese fashion designers such as Pronounce, Ffixxed Studios, STR3AK Clothing and Garcon : 

風起了/ONE TYPHOON WON’T STOP THE PARTY. SHANGHAI LABEL, FASHION SHOWCASE



2. Law Wing Suen, Kimmy // ‘The War At Home’ Collection

SP : The design piece in the picture . Can you pls describe it. Your inspiration for this piece and the materials used. // 你可以說一下這相中作品嗎?你的主題、靈感和用上的物料等。
Kimmy : This design is an attempt to give life to one of the darkest aspects of our society by portraying the cold, violent, and unachievable expectations of abusive homes.

The main material is organza and silk. It shows a slow and cold impression, like living under cold violence.

Slow materials combined with the borderless water-soluble sewing pattern. This reflects children living under pressure.

這種設計嘗試通過描繪對虐待性家園的冷漠,暴力和無法實現的期望,為社會最黑暗的方面之一賦予生命。

主要材料是透明硬紗和絲綢。它表現出一種緩慢而冷酷的印象,就像生活在寒冷的暴力之下一樣。

緩慢的材料與無序的水溶性縫紉圖案相結合。 它反映了生活在壓力下的兒童。

SP : Your favorite Fashion Designer. // 最喜歡的設計師是?
Kimmy : Craig Green is my favorite fashion designer. His design is simple, but each garment and collection has a strong personal signature. Also, his collections use a creative display style and expressions in different media.

Craig Green是我最喜歡的時裝設計師。 他的設計很簡單,但每件服裝和系列都有自己的特色。此外,他的系列採用創意展示風格在不同媒體中展示。

SP : What’s next for you? // 接下來有什麼計劃?
Kimmy : My future plan for the moment is to continue my learning career.

我現在的未來計劃是繼續我的學習生涯。

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毒品/DIOR FW17 AD CAMPAIGN

藍色可以是工人的牛仔,又可以代表貴族的絲絨。兩個完全不同的感覺。唯一的共同點是易襯。今季的ad Campaign將不同層次的藍放在一起,演繹出平凡的優雅,更加和永恆的黑色放在一起。展現出藍色是唯一可與黑色相提並論的永恆顏色。

DIOR RTW AUTUMN-WINTER 17-18_AD VISUAL 1
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HONG KONG POLYU FASHION SHOW 2017 PT.2

Photos and article : Jose Chu

就係我開始要發白日夢的時候,有個model 帶着似是洗碗阿姐的手套,穿着我覺得十分有趣的綠色印花拼藍色絲質連身裙,我馬上看看主題,原來是< < C9>> 。通常師奶給別人的印象都比較負面吧!尤其是在香港,我們都會統稱那些年老的婦人、穿着隨意的女性作師奶。設計師Cheng Jannet就給了我一個反思,到底是否師奶就等於醜?或者對於師奶而言,她們為家庭的付出,成就美麗的家園,比起自身的美麗更為重要。不過那個紅白藍的買餸車我實在十分喜歡!但我肯定不會帶它去街市吧!

而最後獲得全場總冠軍的是Jason Wong 的< < Object>Garment>Object>> 。我最記得一個綠色禮物包裝花演變而成的裙子,簡單直接將禮物包裝的物件變成衣服。Jason這個系列某程度上是一個實驗,將大家熟悉的物件變成時裝,挑戰社會對時尚和服裝的觀念。我喜歡這種挑戰式的概念,為時裝或是創作打開另一道門。現在的作品之所以比以往變得單一化,很大原因是我們用現在的框框限死了自己。告訴自己什麼才叫時尚、什麼才是服裝。但設計原本就應該天馬行空,否則Coco Chanel也不能帶領女性走出束腰的年代、Ted Lapidus也不能塑造經典的中性時尚。我想在這個資訊過分發達的年代,只要用多一點時間、一點心機,在整個資訊世界裏行走,肯定會找到更多沒有人發掘過的東西。

終於完Show了。走出門口,見到一堆堆年輕的面孔互相擁抱祝賀。真後悔我當時沒有好好做自己的 graduation project 哈哈!

POLYU2017_2969FIN2
<<Garment Contour>> by Leung Wing Sze Rachel

POLYU2017_3055FIN2

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毒品/ EMANUEL UNGARO SS17 WOMEN’S WEAR

Ruffle,近年最受歡迎和最讓大眾接受的設計。無論是簡約的單層ruffle還是複雜誇張的千層ruffle,全部都是大熱的設計。Emanuel Ungaro的新一個系列,幾乎全部都用上了ruffle這個原素: 黑色的皮革配上絲質ruffle設計,材質的對比使皮革的反叛多了一份穩重;黑白波點的套裝配上Tiffany Blue的ruffle,也讓華麗的外套多了一份青春。除此以外,還有一些花卉圖案的衣服和撞色的設計,又是一種春夏百花齊放的感覺。

攝影 Photo From / Yannis Vlamos / Indigital.tv
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